Last Chance To Invest: Opportunity Ends 9/24
00
Days
00
Hrs
00
Mins
00
Secs

Invest in the Next Generation of Global Manga & Anime

For nearly 30 years, TOKYOPOP has helped discover, develop, and grow some of the world's most beloved manga and anime brands. Today we're taking the next step—building original IP, producing anime, expanding globally, and inviting fans to become OWNERS for the first time.

Invest Now

Share Price

Min. Investment

Top brands
Licensing contracts with Disney, Nintendo, Crunchyroll, and more
Eleceed
Co-producing anime, including Webtoon hit Eleceed, premiering on Crunchyroll in 2027
100+
100+ IP Library
Live-Action
Live-action Hollywood adaptation with Sony
$50M
Targeting $50M in 2031 revenue
Working with
Logos shown for illustrative purposes only to represent companies with which TOKYOPOP has had licensing or distribution relationships. No endorsement or affiliation with this offering is implied.
Watch before you invest

Meet The Founder behind the Magic of tOKYOPOP

Comic-style red lightning burst illustration
Let’s Write the Next Chapter
Stu Levy, Founder and CEO of TOKYOPOP
Get to know our CEO

A Letter From Our

Founder

29 years ago, I started TOKYOPOP with a simple dream:

A Manga in Every Backpack.

Back then, very few people outside Japan believed manga and anime could become part of mainstream global culture. But I did. Together—with incredible creators, partners, employees, and fans—we helped prove that they could.

Today, manga and anime have become one of the fastest-growing forms of entertainment in the world. Looking back, I'm incredibly proud of the role TOKYOPOP played in helping make that happen.

But I believe we're just getting started.

The next chapter isn't just about publishing books. It's about discovering the next generation of great stories, helping them become anime, merchandise, live experiences, and global franchises, while continuing to connect creators and fans around the world.

For the first time in TOKYOPOP's history, we're inviting fans to become owners. Thanks to changes in U.S. securities laws, you no longer have to be a venture capitalist or institutional investor to own shares in the company. If you believe in where we're headed, I'd love to invite you to join us.

As you explore this page, you'll see where TOKYOPOP has been, what we're building today, and why I believe our biggest opportunities still lie ahead.

It's taken nearly three decades to build the foundation we're standing on today. Now let's build the skyscraper!

Yoroshiku,

- Stu Levy
Founder & CEO, TOKYOPOP

WHY THE WORLD'S BIGGEST BRANDS WORK WITH TOKYOPOP

The world's leading entertainment companies have trusted TOKYOPOP with some of their most valuable intellectual property for nearly three decades. They don't choose us simply because we publish books. They choose us because we understand fandom, discover opportunities early, and help great stories grow into global brands.
Disney
When Disney entrusted TOKYOPOP with The Nightmare Before Christmas, what began as a single graphic novel evolved into an original series that has now sold more than one million copies worldwide.
Mattel
In 2026, Mattel selected TOKYOPOP to create manga and graphic novels based on some of its biggest global brands, including Barbie, Hot Wheels, and Masters of the Universe.
Anime Production
Today, TOKYOPOP sits on four Japanese anime Production Committees, co-producing anime alongside partners including MBC, Amuse, Bilibili, and ADN—giving us a seat at the table where new anime franchises are built.
Global Partnerships
From Disney, Nintendo, Crunchyroll, Sony, Mattel, Penguin Random House, and MBC, TOKYOPOP continues to work with many of the world's leading entertainment companies to help bring stories to audiences around the globe.
These partnerships weren't built overnight. They represent nearly three decades of relationships, execution, and trust—and they form the foundation for TOKYOPOP's next phase of growth.
This is some text inside of a div block.

Anime Is One of the Fastest-Growing Forms of Entertainment in the World

As a fan, you know as well as we do that we don’t just watch anime. We live and breathe it. When we aren’t at a pop-up or convention, we’re reading our favorite new manga and researching the latest collectibles.
It’s a lifestyle, one that’s blossomed into a massive industry:
Collage of TOKYOPOP manga and anime covers
Three decades of building global manga & anime

We’ve Shaped Manga Since 1997

We believed these stories deserved a global audience long before manga went mainstream. That’s why we dedicated three decades to building relationships with the creators, publishers, licensors, retailers, and entertainment juggernauts who could take them further.

We don’t just publish books anymore. We help great stories become anime, merchandise, and live experiences.

By the numbers
29 years
independent
100+ IPs
in the library
10,000+
titles published
50+
countries, 30+ languages
4
anime production committee seats
#1
Multiple #1 titles on U.S. Book Scan

The Franchises You Love

TOKYOPOP manga box sets and collector editions

Our Legacy

1
1997–2008 | TOKYOPOP 1.0
We brought manga to the West with the first wave of global readers
2
2009–2015 | Reinvention
When the industry faltered, we rebuilt on a smaller, sturdier foundation
3
2016–2020 | TOKYOPOP 2.0
We got publishing back on its feet and expanded overseas
4
2021–Today | The IP Engine
We expanded past publishing into licensing, anime, merchandise, and live experiences
5
Tomorrow
More partners, more great stories, and more ways for fans to find them
In Production

A Seat at the Table Where Anime Gets Made

For most of our history, we brought anime West after someone else made it. Not anymore. Together with MBC, Amuse, Bilibili, and ADN, we’re co-producing our first anime, Eleceed, based on the Webtoon smash hit with 2.3 million subscribers and nearly 500 million views.

Deals like this start in Japan, where anime is financed by production committees. TOKYOPOP is one of the first Western companies ever to sit on Japanese anime Production Committees, meaning we invest in shows directly and share their revenue rather than licensing the finished product.

The Solution

This Is Your Chance to Help Write the Next Chapter

Your investment
helps us:
1.
Expand publishing worldwide
2.
Grow original intellectual property
3.
Participate earlier in anime production
4.
Scale live experiences internationally
5.
Expand into new languages and new markets
6.
Build merchandise and direct-to-consumer opportunities
Owners Club

What Membership Actually Gets You

As an investor, you’re automatically enrolled in the TOKYOPOP Owners Club.

See it first
Early previews, owner-exclusive editions, and behind-the-scenes access
Hear it from us
Exclusive livestreams and founder Q&As
Meet IRL
Convention exclusives and members-only experiences

Exclusive Investor Perks

Please note that while bonus shares below won’t be visible at checkout, they will be added to your account after your purchase,
Last Chance To Invest: Opportunity Ends 9/24
00
Days
00
Hrs
00
Mins
00
Secs
Standard Owner
Invest
$500+
Receive
TOKYOPOP Owners Club Membership (TOCM)
Bronze Owner
Invest
$2,500+
Receive
2%
Bonus Shares
+ TOKYOPOP Owners Club Membership (TOCM)
Silver Owner
Invest
$5,000+
Receive
4%
Bonus Shares
+ TOKYOPOP Owners Club Membership (TOCM)
Gold Owner
Invest
$10,000+
Receive
5%
Bonus Shares
+ TOKYOPOP Owners Club Membership (TOCM)
Platinum Owner
Invest
$12,500+
Receive
7%
Bonus Shares
+ TOKYOPOP Owners Club Membership (TOCM)
Leadership Team

Proven Leadership Scaling Global Manga & Anime IP

Our leadership team boasts decades of experience with proven ability to scale successful companies in content and entertainment.

Stu Levy, TOKYOPOP Founder and CEO, smiling in a black blazer against a blurred outdoor backdrop
Stu Levy
Founder & CEO
Marc Visnick, COO and Publisher US, in a light blue shirt against a plain grey backdrop
Marc Visnick
COO & Publisher, USA
Susanne Hellweg, Managing Director Germany, smiling in a black blazer on a neon-lit street
Susanne Hellweg
Managing Director, Germany
Yucca Seki, VP Operations and Development Japan, smiling outdoors with greenery behind her
Yucca Seki
VP Operations & Development, Japan
Marc Honorof, VP TOKYOPOP Learning and Board Member, smiling in a pale blue striped shirt
Marc Honorof
VP TOKYOPOP Learning, Board Member

Frequently Asked Questions

 

What am I actually buying when I invest?

You're purchasing Class B equity shares through TOKYOPOP Investor Holdings, a special purpose vehicle (SPV) that holds an ownership interest in TOKYOPOP Inc. Your investment gives you an indirect ownership interest in TOKYOPOP and allows you to participate in the company's long-term growth. Please refer to the Offering Circular for complete details regarding your rights as an investor.

 

Is this a donation or a real investment?

This is a real equity investment—not a donation or crowdfunding reward. Your investment purchases Class B shares that represent ownership in TOKYOPOP. As with any private company investment, any future return depends on the company's performance and there is no guarantee of profit.

 

Can I sell my shares after I invest?

Under SEC Regulation Crowdfunding rules, your shares are generally subject to a 12-month holding period. After that, resale opportunities may still be limited because there is currently no public market for these securities. This investment should be viewed as a long-term investment.

 

Why is my investment going through TOKYOPOP Investor Holdings?

TOKYOPOP Investor Holdings is a special purpose vehicle (SPV) used to simplify ownership for a large number of investors participating in this Regulation Crowdfunding offering. Your economic interest is tied directly to TOKYOPOP Inc. This is a common structure used in Reg CF offerings.

 

What is the minimum investment?

The minimum investment is $500, which equals 100 shares at $5.00 per share.

 

Can I invest more after my initial purchase?

Yes. While the offering remains open, you may increase your investment through the DealMaker platform, subject to availability and applicable SEC investment limits.

 

How does TOKYOPOP make money?

TOKYOPOP generates revenue by discovering, developing, and growing intellectual property ("IP") across four integrated business pillars:

  • Publishing – Publishing manga, graphic novels, and related content in print and digital formats across multiple languages and international markets.
  • Merchandise – Developing and distributing licensed consumer products and collectibles that extend fan engagement beyond the page.
  • Anime & Film/TV – Participating in the development, production, licensing, and commercialization of animated and live-action entertainment based on both licensed and original IP.
  • Experiences – Creating live exhibitions, events, and other fan experiences that bring stories and characters into the real world.

These four pillars reinforce one another through what we call the TOKYOPOP IP Engine. A successful story can begin as a published manga, grow into an anime or film, expand into merchandise, and ultimately become a live experience or other commercial opportunity. This multi-platform approach enables TOKYOPOP to create multiple revenue opportunities from the same underlying intellectual property while building long-term value for both creators and the Company.

 

How does TOKYOPOP compete against Viz Media, Kodansha, and Yen Press?

TOKYOPOP competes through a different business model rather than by publishing the greatest number of titles.

Many of the industry's largest publishers are subsidiaries of major Japanese media companies, giving them exceptional access to their parent companies' intellectual property catalogs. TOKYOPOP's strength is different. As an independent global company, we have the flexibility to work with a wide range of creators, publishers, licensors, and entertainment partners across Japan and around the world.

This independence allows us to identify opportunities wherever they emerge—whether through licensed manga, original intellectual property, cross-cultural collaborations, anime production, merchandise, or live experiences. Rather than focusing on a single source of content, we seek to build long-term value by connecting great stories with audiences across multiple markets, languages, and entertainment platforms.

We believe this entrepreneurial, globally focused approach—combined with our four integrated business pillars of Publishing, Merchandise, Anime & Film/TV, and Experiences—positions TOKYOPOP to participate in the continued global growth of manga and anime in ways that complement, rather than directly mirror, the strategies of larger Japanese-owned publishers.

 

What happened to TOKYOPOP in the early 2000s manga boom, and why is this different?

TOKYOPOP played a pioneering role in introducing manga to mainstream North American audiences during the early 2000s, helping establish what became one of the fastest-growing categories in publishing.

Like many companies in the industry, TOKYOPOP was later affected by significant market changes, including the global financial crisis, the rapid shift from print to digital media, widespread online piracy, and changing retail dynamics. Those changes fundamentally reshaped the manga publishing industry.

At the same time, however, the audience for manga and anime continued to expand dramatically. What was once a niche category has evolved into a global entertainment phenomenon supported by streaming platforms, major retailers, worldwide licensing, merchandise, conventions, and live experiences. Today's market is significantly larger, more international, and more diversified than it was during the first manga boom.

TOKYOPOP has evolved alongside that market. Rather than relying primarily on U.S. print publishing, the Company has transformed into a global intellectual property business operating across four integrated pillars: Publishing, Merchandise, Anime & Film/TV, and Experiences.

We believe the combination of a much larger global audience, a more diversified business model, and nearly three decades of industry relationships positions TOKYOPOP differently than during the industry's first major growth cycle.

 

Why is TOKYOPOP raising capital now?

We believe TOKYOPOP is at an important inflection point in its evolution.

Over the past several years, we have transformed the Company from a traditional publishing business into a global intellectual property platform operating across four integrated business pillars: Publishing, Merchandise, Anime & Film/TV, and Experiences. At the same time, the worldwide popularity of manga and anime has continued to accelerate, creating opportunities that extend far beyond books alone.

The capital raised through this offering is intended to help us accelerate the next phase of our growth by expanding our publishing program, increasing participation in anime and entertainment projects, growing merchandise and direct-to-consumer initiatives, developing original intellectual property, expanding live experiences, and pursuing additional international opportunities.

We believe this financing will enable TOKYOPOP to build upon nearly three decades of industry relationships, experience, and credibility while positioning the Company to capitalize on the continued global growth of manga and anime.

 

Why is now the right time to invest in TOKYOPOP?

We believe several long-term trends are converging at the same time.

Manga and anime have evolved from niche categories into one of the world's fastest-growing forms of entertainment, with expanding audiences across streaming, publishing, merchandise, gaming, and live experiences. At the same time, TOKYOPOP has evolved into a diversified global IP company with multiple avenues for creating value from the same underlying intellectual property.

After nearly 30 years of building industry relationships, expanding internationally, and developing what we call the TOKYOPOP IP Engine, we believe the Company is well positioned to participate in the next phase of the industry's growth.

This offering provides investors with an opportunity to participate at a time when both the global market and TOKYOPOP's business model have matured significantly, while we continue executing our long-term growth strategy.

 

How will the proceeds from this offering be used?

The proceeds from this offering are intended to support TOKYOPOP's long-term growth strategy across all four of our business pillars.

Key priorities include expanding our publishing program, identifying and partnering on high-potential intellectual property, increasing participation in anime and entertainment projects, growing merchandise and direct-to-consumer initiatives, expanding live experiences, investing in technology and operational capabilities, and providing additional working capital to support continued growth.

As with any growing business, management will allocate capital based on strategic priorities and market opportunities. Additional information regarding the intended use of proceeds is available in the offering materials filed with the SEC.

 

Why did TOKYOPOP post a net loss in 2025 after being profitable in 2024?

2025 was an investment year for TOKYOPOP. The primary driver of the loss was our decision to launch NARUTO THE GALLERY in Berlin, our largest live experience to date. While the exhibition was critically successful and demonstrated our ability to bring major Japanese IP to international audiences, it generated a significant one-time financial loss due to startup and operating costs.

Since then, we’ve taken steps to refocus our strategy. Going forward, we’re emphasizing partnerships, licensing, and capital-efficient growth across our four business pillars—Publishing, Merchandise, Anime & Film/TV, and Experiences—while applying the lessons learned from that project.

We view 2025 as an investment in expanding TOKYOPOP’s long-term capabilities rather than a reflection of our core publishing business.

 

Does the approximately $8 million reported as Current Liabilities represent debt?

No. The approximately $8 million reported on TOKYOPOP's balance sheet represents Current Liabilities, a broad accounting category that includes many different types of obligations—not just borrowings.

A significant portion consists of normal operating liabilities that are common in the publishing and entertainment industries, including accounts payable, accrued royalties, customer return reserves, deferred revenue, and other working capital obligations that arise in the ordinary course of business.

For example, publishers typically incur obligations for licensing, printing, production, and distribution before the related revenue is received. Likewise, royalties payable to creators and licensors, vendor payables, and reserves for anticipated product returns are recorded as current liabilities even though they are not traditional loans.

TOKYOPOP also has certain financing arrangements and borrowings, which are separately disclosed in the offering materials filed with the SEC. Investors should not assume that the Company's total Current Liabilities represent traditional debt.

Complete details regarding TOKYOPOP's financial position, including its liabilities and financing arrangements, are available in the offering materials filed with the SEC.

 

How realistic is the $50M revenue target by 2031?

The $50 million target is a long-term goal based on expanding the business we have already built over nearly 30 years.

Our growth strategy includes:

  • Expanding our publishing program through additional licenses, original IP, and international markets.
  • Growing higher-margin merchandise and direct-to-consumer sales.
  • Increasing participation in anime, film, and television production through strategic co-production partnerships.
  • Expanding live experiences and exhibitions with a more partnership-oriented, capital-efficient model.
  • Developing and monetizing original TOKYOPOP-owned IP across multiple platforms.

We do not expect any single project to drive this growth. Rather, we believe it will come from scaling multiple revenue streams across our four business pillars while leveraging the global growth of the anime and manga market.

 

What is the TOKYOPOP Owners Club?

The Owners Club is the investor community for TOKYOPOP shareholders. Every investor receives membership, which includes members-only livestreams, sneak peeks at upcoming projects, exclusive variant covers, an exclusive membership card, and direct access to the TOKYOPOP team through regular virtual events.

 

How do I join?

Any investment of $500 or more automatically enrolls you. No separate sign-up required. Once your investment is confirmed you will receive details on how to access your membership.

 

What does membership actually include?

Members get early access to new titles, exclusive cover variants, behind-the-scenes content, and invitations to Owners Club events where you can ask questions directly to Stu and the team. The first Owners Club event gave investors an exclusive sneak peek at new cover art and a direct conversation with the founder. More virtual and in-person events are planned.

 

Is this a fan club or am I actually an owner?

Both. You receive equity in TOKYOPOP, meaning you are a shareholder in the company. The Owners Club is the community layer built around that ownership. It is designed to give investors a genuine connection to the brand, not just a certificate. That said, Class B shares do not include voting rights or participation in management decisions. Full details are in the offering circular.

 

What happens to my membership if I sell my shares?

Owners Club membership is tied to your equity position. Shares are subject to a 12-month holding period under SEC rules, during which they cannot be freely resold except under limited circumstances. After that period, there is currently no public market for these securities. Please review the offering circular for the full terms around share transferability and membership eligibility.

Join the Discussion

Loading Comments
Share Price
Invest Now